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Pastels on paper. Copy of Botticelli’s ‘Mars & Venus’ 100 x 250 cm (39 x 99 in)
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Painting, pastel on paper. A detail from Leonardo da Vinci’s ‘Madonna of the Rocks’ at the National gallery in London. 210 x 100 cm (83 x 39 in)
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Painting, oils on canvas. One of Michelangelo’s sybils from the Sistine chapel for the waiting room of a doctor’s office
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Painting, oils on canvas. Raffaello Sanzio’s Madonna & child. 100 cm (39 in) in diameter
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2 paintings, pastels on paper. Early Rembrandt, Abraham sacrificing his son & ‘Tobit & the Kid’ 210 x 100 cm (83 x 39 in)
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2 paintings, pastels on paper. Early Rembrandt, Abraham sacrificing his son & ‘Tobit & the Kid’ 210 x 100 cm (83 x 39 in)
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Painting, oils on canvas. Copy of a painting Rembrandt did of his mother. 200 x 100 cm (79 x 39 in)
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Painting, pastel on paper. Rembrandt self-portrait. 150 x 90 cm (59 x 35 in)
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Painting, pastel on paper. Rembrandt self portrait at 34 150 x 100 (59 x 39 in)
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One of two unusually small copies (this & the next) for a member of the Swedish government. It is painted entirely in glazes. Layers of translucent paint, which give it a jewel-like luminosity. A copy of a painting by Sanchez Coello. Though older, he was contemporary to Velsquez; his paintings still sport the ornate ruffs that were later prohibited by the king & replaced with the, typically, more demure collar of Velasquez’s subjects.
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Painting, oils on paper. Copy of a self portrait by Van Eyck. Van Eyck is often cited as the inventor of oil paints because of his experiments with ‘stand oil’ a refinement process of linseed oil that made it dry without cracking & thereafter supplanted egg tempera because of its delicate transluscent layers 160 x 100 cm (63 x 39 in)
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This one is by Velasquez & displays the collar mentioned in the caption to the previous painting
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Painting, oils on canvas. Girl with Pearl Earring by Vermeer. Painted in glazes–many translucent layers applied over months gave the canvas an inner luminosity
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Small Rembrandt copy (as St Paul) oils on canvas on board 25 x 20 cm
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Tamara de Lempicka: Oil on canvas. Baron Kuffner, Tamara’s second husband. One of 7 commissioned by Saks Fifth Avenue in New York City.
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Oil on canvas. One of 7 commissioned by Saks Fifth Avenue in New York City.
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Tamara de Lempicka. Andromeda. Oil on canvas. 210 x 100 cm (83 x 39 in)
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Oil on canvas. The client wanted this painting of Adam & Eve in a horizontal format instead of the original’s vertical composition, so I cut Tamara’s full standing figures to half & extended the background. 100 x 180 cm (39 x 71 in)
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Tamara’s first husband who gave her his aristocratic name but was penniless. Tamara named this painting ‘The Unfinished Man’ & left his right hand unpainted. One of 7 commissioned by Saks Fifth Avenue in New York City.
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Oil on canvas. One of 7 commissioned by Saks Fifth Avenue in New York City. 180 x 100 cm (71 x 39 in)
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Oil on canvas. One of 7 commissioned by Saks Fifth Avenue in New York City
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Girl with gloves 1929 110 x 80 cm
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Painting, oils on canvas. Degas, Ballerina. 180 x 120 cm (71 x 48 in) 1 of 6 paintings commissioned by Saks Fifth Avenue in Beverly Hills.
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Painting, oils on canvas. Degas, singer. 1 of 6 paintings commissioned by Saks Fifth Avenue in Beverly Hills
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Painting, oils on canvas. These are three panels meant to hang next to each other. The first to the left is a copy of one of Van Gogh’s ‘Irises’ while the other two panels are an invented continuation of the composition. Each canvas is: 55 x 90 cm (22 x 36 in)
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Painting, oils on canvas. These are three panels meant to hang next to each other. The first to the left is a copy of one of Van Gogh’s ‘Irises’ while the other two panels are an invented continuation of the composition. Each canvas is: 55 x 90 cm (22 x 36 in)
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Painting, oils on canvas. These are three panels meant to hang next to each other. The first to the left is a copy of one of Van Gogh’s ‘Irises’ while the other two panels are an invented continuation of the composition. Each canvas is: 55 x 90 cm (22 x 36 in)
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Oils on canvas. Van Gogh, to the left the Oslo self portrait
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‘Irises’. 1 of 6 paintings commissioned by Saks Fifth Avenue in Beverly Hills
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Painting, oils on canvas. Toulouse Lautrec- Dance at the Moulin Rouge. Re-composed slightly for the dimensions the client required. To the right, the same painting re-composed more drastically for a client who wanted a vertical composition. 100 x 160 cm (39 x 63 in)
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Painting, oils on canvas. Toulouse Lautrec- Dance at the Moulin Rouge. Re-composed slightly for the dimensions the client required. To the right, the same painting re-composed more drastically for a client who wanted a vertical composition. 100 x 160 cm (39 x 63 in)
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Painting, oils on canvas. Botero. 110 x 90 cm (43 x 35 in)
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Painting, oils on canvas. Boucher re-composed. 110 x 160 cm (43 x 63 in)
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Painting, oils on canvas. Boucher re-composed. 110 x 160 cm (43 x 63 in)
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Painting, oils on canvas. Fragonard. 110 x 70 (43 x 27 in)
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Two paintings, oils on canvas. 18th century English shipyard. Eeach 80 x 100 cm (31 x 39 in)
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Two paintings, oils on canvas. 18th century English shipyard. Eeach 80 x 100 cm (31 x 39 in)
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Painting, oils on canvas. A small section from one of Picasso’s paintings from his rose period. 110 x 50 cm (43 x 20 in)
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Painting, oils on canvas. Andaluz bodega in the bullfighting arena. 90 x 70 cm (35 x 27 in)
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Pastels on paper. Copy of Botticelli’s ‘Mars & Venus’ 100 x 250 cm (39 x 99 in)
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Painting, pastel on paper. A detail from Leonardo da Vinci’s ‘Madonna of the Rocks’ at the National gallery in London. 210 x 100 cm (83 x 39 in)
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Painting, oils on canvas. One of Michelangelo’s sybils from the Sistine chapel for the waiting room of a doctor’s office
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Painting, oils on canvas. Raffaello Sanzio’s Madonna & child. 100 cm (39 in) in diameter
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2 paintings, pastels on paper. Early Rembrandt, Abraham sacrificing his son & ‘Tobit & the Kid’ 210 x 100 cm (83 x 39 in)
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2 paintings, pastels on paper. Early Rembrandt, Abraham sacrificing his son & ‘Tobit & the Kid’ 210 x 100 cm (83 x 39 in)
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Painting, oils on canvas. Copy of a painting Rembrandt did of his mother. 200 x 100 cm (79 x 39 in)
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Painting, pastel on paper. Rembrandt self-portrait. 150 x 90 cm (59 x 35 in)
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Painting, pastel on paper. Rembrandt self portrait at 34 150 x 100 (59 x 39 in)
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One of two unusually small copies (this & the next) for a member of the Swedish government. It is painted entirely in glazes. Layers of translucent paint, which give it a jewel-like luminosity. A copy of a painting by Sanchez Coello. Though older, he was contemporary to Velsquez; his paintings still sport the ornate ruffs that were later prohibited by the king & replaced with the, typically, more demure collar of Velasquez’s subjects.
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Painting, oils on paper. Copy of a self portrait by Van Eyck. Van Eyck is often cited as the inventor of oil paints because of his experiments with ‘stand oil’ a refinement process of linseed oil that made it dry without cracking & thereafter supplanted egg tempera because of its delicate transluscent layers 160 x 100 cm (63 x 39 in)
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-
This one is by Velasquez & displays the collar mentioned in the caption to the previous painting
-
-
Painting, oils on canvas. Girl with Pearl Earring by Vermeer. Painted in glazes–many translucent layers applied over months gave the canvas an inner luminosity
-
-
Small Rembrandt copy (as St Paul) oils on canvas on board 25 x 20 cm
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-
Tamara de Lempicka: Oil on canvas. Baron Kuffner, Tamara’s second husband. One of 7 commissioned by Saks Fifth Avenue in New York City.
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Oil on canvas. One of 7 commissioned by Saks Fifth Avenue in New York City.
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Tamara de Lempicka. Andromeda. Oil on canvas. 210 x 100 cm (83 x 39 in)
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Oil on canvas. The client wanted this painting of Adam & Eve in a horizontal format instead of the original’s vertical composition, so I cut Tamara’s full standing figures to half & extended the background. 100 x 180 cm (39 x 71 in)
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Tamara’s first husband who gave her his aristocratic name but was penniless. Tamara named this painting ‘The Unfinished Man’ & left his right hand unpainted. One of 7 commissioned by Saks Fifth Avenue in New York City.
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Oil on canvas. One of 7 commissioned by Saks Fifth Avenue in New York City. 180 x 100 cm (71 x 39 in)
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Oil on canvas. One of 7 commissioned by Saks Fifth Avenue in New York City
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Girl with gloves 1929 110 x 80 cm
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Painting, oils on canvas. Degas, Ballerina. 180 x 120 cm (71 x 48 in) 1 of 6 paintings commissioned by Saks Fifth Avenue in Beverly Hills.
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Painting, oils on canvas. Degas, singer. 1 of 6 paintings commissioned by Saks Fifth Avenue in Beverly Hills
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Painting, oils on canvas. These are three panels meant to hang next to each other. The first to the left is a copy of one of Van Gogh’s ‘Irises’ while the other two panels are an invented continuation of the composition. Each canvas is: 55 x 90 cm (22 x 36 in)
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-
Painting, oils on canvas. These are three panels meant to hang next to each other. The first to the left is a copy of one of Van Gogh’s ‘Irises’ while the other two panels are an invented continuation of the composition. Each canvas is: 55 x 90 cm (22 x 36 in)
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Oils on canvas. Van Gogh, to the left the Oslo self portrait
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‘Irises’. 1 of 6 paintings commissioned by Saks Fifth Avenue in Beverly Hills
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-
Painting, oils on canvas. Toulouse Lautrec- Dance at the Moulin Rouge. Re-composed slightly for the dimensions the client required. To the right, the same painting re-composed more drastically for a client who wanted a vertical composition. 100 x 160 cm (39 x 63 in)
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Painting, oils on canvas. Toulouse Lautrec- Dance at the Moulin Rouge. Re-composed slightly for the dimensions the client required. To the right, the same painting re-composed more drastically for a client who wanted a vertical composition. 100 x 160 cm (39 x 63 in)
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Painting, oils on canvas. These are three panels meant to hang next to each other. The first to the left is a copy of one of Van Gogh’s ‘Irises’ while the other two panels are an invented continuation of the composition. Each canvas is: 55 x 90 cm (22 x 36 in)
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Painting, oils on canvas. Botero. 110 x 90 cm (43 x 35 in)
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Painting, oils on canvas. Boucher re-composed. 110 x 160 cm (43 x 63 in)
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Painting, oils on canvas. Boucher re-composed. 110 x 160 cm (43 x 63 in)
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Painting, oils on canvas. Fragonard. 110 x 70 (43 x 27 in)
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Two paintings, oils on canvas. 18th century English shipyard. Eeach 80 x 100 cm (31 x 39 in)
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Two paintings, oils on canvas. 18th century English shipyard. Eeach 80 x 100 cm (31 x 39 in)
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Painting, oils on canvas. A small section from one of Picasso’s paintings from his rose period. 110 x 50 cm (43 x 20 in)
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Painting, oils on canvas. Andaluz bodega in the bullfighting arena. 90 x 70 cm (35 x 27 in)
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Pastels on paper. Copy of Botticelli’s ‘Mars & Venus’ 100 x 250 cm (39 x 99 in)
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-
Painting, pastel on paper. A detail from Leonardo da Vinci’s ‘Madonna of the Rocks’ at the National gallery in London. 210 x 100 cm (83 x 39 in)
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Painting, oils on canvas. One of Michelangelo’s sybils from the Sistine chapel for the waiting room of a doctor’s office
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-
Painting, oils on canvas. Raffaello Sanzio’s Madonna & child. 100 cm (39 in) in diameter
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2 paintings, pastels on paper. Early Rembrandt, Abraham sacrificing his son & ‘Tobit & the Kid’ 210 x 100 cm (83 x 39 in)
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-
2 paintings, pastels on paper. Early Rembrandt, Abraham sacrificing his son & ‘Tobit & the Kid’ 210 x 100 cm (83 x 39 in)
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-
Painting, oils on canvas. Copy of a painting Rembrandt did of his mother. 200 x 100 cm (79 x 39 in)
-
-
Painting, pastel on paper. Rembrandt self-portrait. 150 x 90 cm (59 x 35 in)
-
-
Painting, pastel on paper. Rembrandt self portrait at 34 150 x 100 (59 x 39 in)
-
-
One of two unusually small copies (this & the next) for a member of the Swedish government. It is painted entirely in glazes. Layers of translucent paint, which give it a jewel-like luminosity. A copy of a painting by Sanchez Coello. Though older, he was contemporary to Velsquez; his paintings still sport the ornate ruffs that were later prohibited by the king & replaced with the, typically, more demure collar of Velasquez’s subjects.
-
-
Painting, oils on paper. Copy of a self portrait by Van Eyck. Van Eyck is often cited as the inventor of oil paints because of his experiments with ‘stand oil’ a refinement process of linseed oil that made it dry without cracking & thereafter supplanted egg tempera because of its delicate transluscent layers 160 x 100 cm (63 x 39 in)
-
-
This one is by Velasquez & displays the collar mentioned in the caption to the previous painting
-
-
Painting, oils on canvas. Girl with Pearl Earring by Vermeer. Painted in glazes–many translucent layers applied over months gave the canvas an inner luminosity
-
-
Small Rembrandt copy (as St Paul) oils on canvas on board 25 x 20 cm
-
-
Tamara de Lempicka: Oil on canvas. Baron Kuffner, Tamara’s second husband. One of 7 commissioned by Saks Fifth Avenue in New York City.
-
-
Oil on canvas. One of 7 commissioned by Saks Fifth Avenue in New York City.
-
-
Tamara de Lempicka. Andromeda. Oil on canvas. 210 x 100 cm (83 x 39 in)
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-
Oil on canvas. The client wanted this painting of Adam & Eve in a horizontal format instead of the original’s vertical composition, so I cut Tamara’s full standing figures to half & extended the background. 100 x 180 cm (39 x 71 in)
-
-
Tamara’s first husband who gave her his aristocratic name but was penniless. Tamara named this painting ‘The Unfinished Man’ & left his right hand unpainted. One of 7 commissioned by Saks Fifth Avenue in New York City.
-
-
Oil on canvas. One of 7 commissioned by Saks Fifth Avenue in New York City. 180 x 100 cm (71 x 39 in)
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Oil on canvas. One of 7 commissioned by Saks Fifth Avenue in New York City
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-
Girl with gloves 1929 110 x 80 cm
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-
Painting, oils on canvas. Degas, Ballerina. 180 x 120 cm (71 x 48 in) 1 of 6 paintings commissioned by Saks Fifth Avenue in Beverly Hills.
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Painting, oils on canvas. Degas, singer. 1 of 6 paintings commissioned by Saks Fifth Avenue in Beverly Hills
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-
Painting, oils on canvas. These are three panels meant to hang next to each other. The first to the left is a copy of one of Van Gogh’s ‘Irises’ while the other two panels are an invented continuation of the composition. Each canvas is: 55 x 90 cm (22 x 36 in)
-
-
Painting, oils on canvas. These are three panels meant to hang next to each other. The first to the left is a copy of one of Van Gogh’s ‘Irises’ while the other two panels are an invented continuation of the composition. Each canvas is: 55 x 90 cm (22 x 36 in)
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Oils on canvas. Van Gogh, to the left the Oslo self portrait
-
-
‘Irises’. 1 of 6 paintings commissioned by Saks Fifth Avenue in Beverly Hills
-
-
Painting, oils on canvas. Toulouse Lautrec- Dance at the Moulin Rouge. Re-composed slightly for the dimensions the client required. To the right, the same painting re-composed more drastically for a client who wanted a vertical composition. 100 x 160 cm (39 x 63 in)
-
-
Painting, oils on canvas. Toulouse Lautrec- Dance at the Moulin Rouge. Re-composed slightly for the dimensions the client required. To the right, the same painting re-composed more drastically for a client who wanted a vertical composition. 100 x 160 cm (39 x 63 in)
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-
Painting, oils on canvas. These are three panels meant to hang next to each other. The first to the left is a copy of one of Van Gogh’s ‘Irises’ while the other two panels are an invented continuation of the composition. Each canvas is: 55 x 90 cm (22 x 36 in)
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-
Painting, oils on canvas. Botero. 110 x 90 cm (43 x 35 in)
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Painting, oils on canvas. Boucher re-composed. 110 x 160 cm (43 x 63 in)
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Painting, oils on canvas. Boucher re-composed. 110 x 160 cm (43 x 63 in)
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-
Painting, oils on canvas. Fragonard. 110 x 70 (43 x 27 in)
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-
Two paintings, oils on canvas. 18th century English shipyard. Eeach 80 x 100 cm (31 x 39 in)
-
-
Two paintings, oils on canvas. 18th century English shipyard. Eeach 80 x 100 cm (31 x 39 in)
-
-
Painting, oils on canvas. A small section from one of Picasso’s paintings from his rose period. 110 x 50 cm (43 x 20 in)
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Painting, oils on canvas. Andaluz bodega in the bullfighting arena. 90 x 70 cm (35 x 27 in)